All posts tagged Editor

Want to get your kids into college? Let them play!

By Erika Christakis and Nicholas Christakis, Special to CNN

Editor’s note: Erika Christakis, MEd, MPH, is an early childhood teacher and former preschool director. Nicholas Christakis, MD, PhD, is a professor of medicine and sociology at Harvard University. Together, they serve as Masters of Pforzheimer House, one of the undergraduate residential houses at Harvard College.

(CNN) – Every day where we work, we see our young students struggling with the transition from home to school. They’re all wonderful kids, but some can’t share easily or listen in a group.

Some have impulse control problems and have trouble keeping their hands to themselves; others don’t always see that actions have consequences; a few suffer terribly from separation anxiety.

We’re not talking about preschool children. These are Harvard undergraduate students whom we teach and advise. They all know how to work, but some of them haven’t learned how to play.

Parents, educators, psychologists, neuroscientists, and politicians generally fall into one of two camps when it comes to preparing very young children for school: play-based or skills-based.

These two kinds of curricula are often pitted against one another as a zero-sum game: If you want to protect your daughter’s childhood, so the argument goes, choose a play-based program; but if you want her to get into Harvard, you’d better make sure you’re brushing up on the ABC flashcards every night before bed.

We think it is quite the reverse. Or, in any case, if you want your child to succeed in college, the play-based curriculum is the way to go.

In fact, we wonder why play is not encouraged in educational periods later in the developmental life of young people — giving kids more practice as they get closer to the ages of our students.

Why do this? One of the best predictors of school success is the ability to control impulses. Children who can control their impulse to be the center of the universe, and — relatedly — who can assume the perspective of another person, are better equipped to learn.

Psychologists calls this the “theory of mind”: the ability to recognize that our own ideas, beliefs, and desires are distinct from those of the people around us. When a four-year-old destroys someone’s carefully constructed block castle or a 20-year-old belligerently monopolizes the class discussion on a routine basis, we might conclude that they are unaware of the feelings of the people around them.

The beauty of a play-based curriculum is that very young children can routinely observe and learn from others’ emotions and experiences. Skills-based curricula, on the other hand, are sometimes derisively known as “drill and kill” programs because most teachers understand that young children can’t learn meaningfully in the social isolation required for such an approach.

How do these approaches look different in a classroom? Preschoolers in both kinds of programs might learn about hibernating squirrels, for example, but in the skills-based program, the child could be asked to fill out a worksheet, counting (or guessing) the number of nuts in a basket and coloring the squirrel’s fur.

In a play-based curriculum, by contrast, a child might hear stories about squirrels and be asked why a squirrel accumulates nuts or has fur. The child might then collaborate with peers in the construction of a squirrel habitat, learning not only about number sense, measurement, and other principles needed for engineering, but also about how to listen to, and express, ideas.

The child filling out the worksheet is engaged in a more one-dimensional task, but the child in the play-based program interacts meaningfully with peers, materials, and ideas.

Programs centered around constructive, teacher-moderated play are very effective. For instance, one randomized, controlled trial had 4- and 5-year-olds engage in make-believe play with adults and found substantial and durable gains in the ability of children to show self-control and to delay gratification. Countless other studies support the association between dramatic play and self-regulation.

Through play, children learn to take turns, delay gratification, negotiate conflicts, solve problems, share goals, acquire flexibility, and live with disappointment. By allowing children to imagine walking in another person’s shoes, imaginative play also seeds the development of empathy, a key ingredient for intellectual and social-emotional success.

The real “readiness” skills that make for an academically successful kindergartener or college student have as much to do with emotional intelligence as they do with academic preparation. Kindergartners need to know not just sight words and lower case letters, but how to search for meaning. The same is true of 18-year-olds.

As admissions officers at selective colleges like to say, an entire freshman class could be filled with students with perfect grades and test scores. But academic achievement in college requires readiness skills that transcend mere book learning. It requires the ability to engage actively with people and ideas. In short, it requires a deep connection with the world.

For a five year-old, this connection begins and ends with the creating, questioning, imitating, dreaming, and sharing that characterize play. When we deny young children play, we are denying them the right to understand the world. By the time they get to college, we will have denied them the opportunity to fix the world too.

The opinions expressed in this commentary are solely those of Erika and Nicholas Christakis.

We Say “oui” to Miss Piggy for M·A·C

Generous glamour goddess that she is, Miss Piggy is sharing her beauty with the world via a limited-edition, online-exclusive, M·A·C collection for the eyes in celebration of her much anticipated return to the silver screen in Disney’s The Muppets, in theatres November 23. Say “oui” to Miss Piggy for M·A·C today!

Available North America November 14, 2011 only at www.maccosmetics.com

Q&A WITH MISS PIGGY

Tell us about what it was like collaborating with M·A·C on a collection that captures your iconic beauty look.

Oh I adore collaboration—especially when everyone is there to listen to what I have to say and do exactly what I tell them to. And those fabulously talented people at M·A·C did just that. They were more than willing to listen, learn and be inspired by moi, so they could get the pink eye shadow just right, the flutter of the lashes just perfect, the texture of the eye liner just so. Best of all, they did all the work while I did all the talking! Très fantastique!

What was it like working with James Gager, Senior Vice President and Creative Director, and Jennifer Balbier, Senior Vice President for Global Product Development?

Ah yes, James and Jennifer…..Uh, what were those names again? Gager and Balbier? Sorry, not ringing a bell. But if I met them and they were important, I love them and can’t wait to see them again. You see, Jimmy and Jennie as I called them, seemed to understand moi’s very soul. And best of all, they understood moi’s desire to make the collection worthy of comparison with other iconic M·A·C “diva” collections (Lady Gaga and Cyndi Lauper’s Viva Glam campaigns and Nicki Minaj’s Pink Friday) while inevitably surpassing all of them.

Tell us about your typical beauty routine when you’re on set. Does it differ from your every day beauty routine?

At home and on the set, my beauty routine is the same. I sit in a chair while a squadron of stylists, manicurists, cosmetologists, hairologists and so forth hover around and make magic. Then, I open my eyes, look in the mirror and voila…perfection! The advantage of doing this on set is that someone else pays for it.

How would you describe your style in your upcoming film, “The Muppets”?

I play an editor at Vogue Paris, so naturally I had to wear the most au courant couture and meet
all the top designers in the world. (Naturally, we hit it off like gangbusters. Trust moi, you haven’t partied til you’ve ridden in a cab down the Champs-Élysées singing show tunes with a passel of Parisian designers!) So, I would have to say that moi inspired designers who, in turn, designed clothes that captured the essense of moi. It’s a win-win all the around, n’est ce-pas?

Any style advice for your fans? Can anyone wear the products from the Miss Piggy inspired M·A·C collection?

You can’t be moi, but this is the next best thing. This collection is perfect for any skin tone, goes with any wardrobe choices…and will help vous find your personal style.

To moi, style is all about having fun! You are you! Go for it! Get glam! Have fun! Laugh in the
face of critics! Scoff at cynics! Chortle in front of rude people! You got it sister, so make the most of it!

That is what this collection is all about – celebrating the absolute joy of being vous, embellished and enhanced by the magic of moi! (Ooh, that’s good. I should trademark that!)

And remember, true beauty comes from loving yourself.
So go ahead: love yourself. And if that proves a problem, might I suggest loving moi?


Eye Shadow

Miss Piggy Pink Mid-tone blue pink (frost) $15.00 U.S./$18.00 CDN 

Lash

36 Full lash that creates a naturally dramatic look $15.00 U.S./$18.00 CDN 

Penultimate Eye Liner

Rapidblack True black $17.50 U.S./$21.00 CDN 

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Have playgrounds become too safe for kids?

by Lylah M. Alphonse, Senior Editor, Manage Your Life

Playgrounds these days are usually brightly colored things, low-slung plastic-coated structures with short, gently sloping slides, set on surfaces covered with shredded rubber or wood chips. No see-saws. No hand-pulled twirling whirling rides. No super-high jungle gyms to climb. Swings (if there are any) often have safety bars and seat belts attached.
But that wasn’t the case just a generation ago.

“I am still quite nostalgic for the two-, three-, maybe three-and-a-half-story high wooden playground castles I grew up with 30-odd years ago,” says Alex Gilliam, an architect and a national expert on K-12 design education. “We’re now at a point where every playground is pretty much the same. And they’re boring. They’re not challenging.”

Blame a litigious society. Or, maybe, helicopter parents. But the increased focus on safety may have had unintended consequences: a generation of kids who aren’t able to accurately assess risk or cope with fear.

Have playgrounds become too safe?

“Children need to encounter risks and overcome fears on the playground,” Dr. Ellen Sandseter, a professor at Queen Maud University in Norway, told the New York Times. “Children approach thrills and risks in a progressive manner, and very few children would try to climb to the highest point for the first time they climb. The best thing is to let children encounter these challenges from an early age, and they will then progressively learn to master them through their play over the years.”

In a small 2007 study in Europe, Sandseter observed six different types of “risky play”: playing on high structures or at high speeds, using dangerous tools or playing near dangerous elements, roughhousing, and games where the children can “get lost,” “disappear,” or avoid adult supervision. But instead of allowing children to explore their environment and understand how to interact with it, schools and public officials have been working to eliminate even the smallest risks.

In 2006, some cities and schools banned tag during recess, citing safety concerns; others have outlawed contact sports like touch football and soccer. Dodge ball has been out for years. And in 2005, South Florida’s Broward County school system banned all running on playgrounds. Swings and see-saws were banned there, too. “They’ve got moving parts,” Safety Director Jerry Graziose told the South Florida Sun-Sentinel. “Moving parts on equipment is the number one cause of injury on the playgrounds.”

Actually, according to the National Program for Playground Safety, the number one cause of injury on public, school, and home playgrounds is falling off of equipment. Even so, the vast majority of those injuries—85 percent—aren’t classified as severe.

Moreover, while many parents worry that a bad fall could lead to a life-long fear of heights, the New York Times points out that the opposite is actually the case: Studies have shown that “a child who’s hurt in a fall before the age of 9 is less likely as a teenager to have a fear of heights.”

“Paradoxically, we posit that our fear of children being harmed by mostly harmless injuries may result in more fearful children and increased levels of psychopathology,” Sandseter and her colleague,  psychologist Leif Kennair of the Norwegian University for Science and Technology, write in the journal Evolutionary Psychology.

Gilliam sums it up this way: “The whole notion of protecting kids has kind of backfired.”

As the founder and director of Public Workshop, an organization that encourages kids to take part in designing the cities in which they live, Gilliam has been involved in the research and creation of plenty of different kinds of play spaces. Modern “safe” playgrounds aren’t interesting enough for older kids, he points out. That leads to an increase in sedentary activity, which has been linked to the spike in childhood obesity rates.

“We carp, as adults, all the time that we’ve lost our kids to video games, we’ve lost our kids to TV,” says Gilliam. “Of course we have. We’ve made the world, the physical landscape, so boring to kids that of course a video game is going to feel more stimulating.”

But there may be hope. “We’re at a weird tipping point,” Gilliam says. On one hand, the way we worry about the risks associated with play are “a little depressing at times,” he says. But on the other hand, it may allow us to reassess the way kids really need to play. Just as so-called free-range parents made others think about the way we foster independence, when it comes to super-safe and boring playgrounds, Gilliam says, “Some people are finally starting to say, ‘Maybe enough’s enough’.”

Stocking Stuffers: Fashion Books

Story Credit: SFgate.com

If you stacked all the fashion books published this year one atop the other, the pile would probably be taller than Tavi Gevinson, the tiny teen fashion blogger.

Gunn's Golden Rules: Life's Little Lesson's for Making It Work

There’s a good few inches just from “Project Runway” alone, with “Gunn’s Golden Rules: Life’s Little Lesson’s for Making It Work” by Tim Gunn (Gallery, 272 pages, $23.99) and “Nina Garcia’s Look Book: What to Wear for Every Occasion” (Voice, 336 pages, $23).

Nina Garcia's Look Book: What to Wear for Every Occasion


Granted, Gunn’s latest is more about designing a wonderful life than a look, but any fashion fiend you know would probably appreciate it as a stocking stuffer. Garcia’s book is straight-up fashion advice by a fashionista.

For true fans, there are single-designer books like the 704-page boxed object titled “Prada” (Abrams, $125), which documents three decades of Miuccia Prada’s work, including the book, created for the company she inherited in the late 1970s. If you know the obsession, you’re home free giftwise if you can spell the designer’s name.


Prada

For the rest of us, here are some choice selections, many of them designed to enhance, if not topple, a coffee table:

Allure

“Allure” by Diana Vreeland (Chronicle Books, 208 pages, $35). The third iteration of a fashion classic stands the test of time. Vreeland, an icon long before her death in 1989, saw things first, as designer Marc Jacobs writes in the foreword to the latest edition. As the top editor at Harper’s Bazaar and Vogue, she also had the wherewithal to manifest her vision, as this lavishly illustrated book reveals.

Anna Sui

“Anna Sui” by Andrew Bolton (preface by Jack White, introduction by Steven Meisel (Chronicle Books, 288 pages, $60). Fans of Anna Sui’s first collection included supermodels Naomi Campbell, Linda Evangelista, Christy Turlington and Kate Moss. The Council of Fashion Designers of America gave Sui a Lifetime Achievement Award in 2009. The only things missing from this celebration of Sui’s sometimes overlooked career are a rock ‘n’ roll soundtrack and sketches from her next collection.

Bespoke: The Men's Style of Savile Row

“Bespoke: The Men’s Style of Savile Row” by James Sherwood (preface by Tom Ford; Rizzoli, 256 pages, $65). How did the name of one London street became shorthand for male sartorial perfection of the handmade kind?

Here’s the answer.

Colouring Book

“Colouring Book” by Yves Saint Laurent (Walker, 40 pages, $9.50). For those who can appreciate the lines they’re coloring inside. Challenging to find even online, but for a special someone, worth the effort.

“FashionEast: The Spectre That Haunted Socialism” by Djurdja Bartlett (The MIT Press, 300 pages, $34.95). Despite official disapproval of fashion that bordered on condemnation, there was style beyond babushkas in the former Soviet Union, Czechoslovakia, Hungary, East Germany, Poland and Yugoslavia. Bartlett explores the relationship between fashion and the state in three stages: utopian dress; state-sanctioned socialist fashion, not all of it uniforms; and, starting in the

FashionEast: The Spectre That Haunted Socialism

1950s, Western looks, most of them sewn at home. Smartly illustrated, fascinating and provocative.

Isabella Blow

“Isabella Blow” by Martina Rink, foreword by Philip Treacy (Thames & Hudson, 208 pages, $50).

“Blow by Blow: The Story of Isabella Blow” by Detmar Blow and Tom Sykes (It Books, 304 pages, $30).

“Isabella Blow: A Life in Fashion” by Lauren Goldstein Crowe (Thomas Dunne Books, 274 pages, $27.99). When Isabella Blow committed suicide in 2007, obituary writers found it difficult to explainwhat exactly made her noteworthy other than her wonderful, if outlandish, clothes. An eccentric English aristocrat from a once-wealthy family, Blow worked, briefly, as an assistant to Vogue Editor Anna Wintour.

Blow by Blow: The Story of Isabella Blow

Isabella Blow: A Life in Fashion

Blow discovered British designers Alexander McQueen and Philip Treacy. She was a muse, a nudge, a stylist, a promoter and she was troubled. Each of these books presents a different perspective on her life. Two are by intimates. Martina Rink was her assistant. Detmar Blow was her husband, and his co-author, journalist Tom Sykes, first met Blow when he was 20 years old. Rink gathered recollections of Blow from those who worked with her and knew her. Her husband offers domestic detail, perhaps a bit defensively. Crowe writes at a greater remove, providing a more traditional biography. For a gift, consider a package deal or one and a library card after you’ve skimmed the lot at a bookshop to make a positive match with the recipient.

“Minimalism and Fashion Reduction in the Postmodern Era” by Elyssa Dimant (Collins Design, 224 pages, $75). Exposed, explained and illustrated: the role of minimalism in fashion and fashion’s relationship to architecture, design and fine art. Brilliant.

Ruben Toledo's Fashion Almanac

“Ruben Toledo’s Fashion Almanac” (Nordstrom, 128 pages, $65) Fashion illustrator Ruben Toledo has collaborated with Nordstrom for a decade. Somebody had the great good sense to collect Toledo’s wonderfully imaginative work. Find the book at

Minimalism and Fashion Reduction in the Postmodern Era

www.nordstrom.com and in select stores.

Selvedge magazine (by post: $115 for six issues; 12 months, online: $40, www.selvedge.org). A content-rich, profusely illustrated British magazine with an international perspective on textiles and fashion. It’s a treat, and every issue’s a keeper.

“Take Ivy” by Toshiyuki Kurosu (Powerhouse Books, 142 pages, $24.95). Originally published in 1965, this is a picture book of Ivy League men in full feather moments before the protests against the Vietnam War disrupted classes. (Women attended the Seven

Take Iv

Sisters.) The volume became the urtext for Japan’s cult of traditional American style and emerged as a look book for designers far beyond

Selvedge magazine

Tokyo. While the new English translation of the text is interesting, the photos are the draw now that classic, American-made menswear is enjoying a revival in its countryoforigin.

“WWD: 100 Years, 100 Designers” by Bridget Foley (Fairchild, 312 pages, $65). A survey course in fashion, style, trends and boldface names as taught by the pros at Women’s Wear Daily. Get a copy for yourself as well.


WWD: 100 Years, 100 Designers

Make sure to get your loved ones and bookworms (and most importantly fashion addicts) a gift they will treasure forever.  Is there any books you might recommend adding to the list? Sound off below!